VoidTrecker Express Mods (
voidtreckermods) wrote in
middleofsomewhere2021-01-26 08:40 pm
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
Entry tags:
- !mission ten,
- alice liddell (am) [ou],
- cassie cage [ou],
- entrapta [ou],
- inigo [ou],
- katsuya jonouchi [au-crau],
- koumyou sanzo [ou],
- little one [ou],
- madoka kaname [ou],
- persephone [ou],
- ple two [ou],
- ryo [ou],
- seto kaiba [ou],
- thanatos [ou],
- trunks brief (future) [ou],
- yugi mutou [ou],
- ~x~bucky barnes [crau],
- ~x~conan edogawa [ou],
- ~x~kurosaki ichigo [ou],
- ~x~lan xichen [ou],
- ~x~mami tomoe [ou],
- ~x~nita callahan [crau],
- ~x~prisoner [ou],
- ~x~raven [ou],
- ~x~rich goranski [ou],
- ~x~senku ishigami [ou],
- ~x~xander woods [ou],
- ~x~yoite [ou],
- ~x~yosuke otoha [ou]
Conclusion
Thank you.
For those inside the system the voices of the Great-Seasons ring out around them once the red mass has vanished and the blue plinth it was smothering is freed once more. They don't have all that much time to reflect on that before they find themselves waking up once more in their bodies around the tree trunks.
Or at least, around the tube that is the Great-Season they entered through. All illusions have vanished now, all that is left are pipes and metal.
The Great-Seasons allow them passage out from the centre, no sentries or pipes attack them this time. Everything seems to have been put to rights, the walls in the Autumn sector have stopped moving, there is no strange weather effects in the Summer Sector, no engineering problems in Winter and all the camaloid creatures in Spring are calm. Any Helpmates they come across are doing their jobs and no longer malfunctioning.
After a small amount of time, enough to check that all is well, their SCA's light up. All Passengers are to return to the Voidtrecker Express.
Considering the vast distances involved it is probably best that they use the evacuation function to return to the Luggage carriage.
Once all Voidtreckers have returned the train returns to the Void once more.
For those inside the system the voices of the Great-Seasons ring out around them once the red mass has vanished and the blue plinth it was smothering is freed once more. They don't have all that much time to reflect on that before they find themselves waking up once more in their bodies around the tree trunks.
Or at least, around the tube that is the Great-Season they entered through. All illusions have vanished now, all that is left are pipes and metal.
The Great-Seasons allow them passage out from the centre, no sentries or pipes attack them this time. Everything seems to have been put to rights, the walls in the Autumn sector have stopped moving, there is no strange weather effects in the Summer Sector, no engineering problems in Winter and all the camaloid creatures in Spring are calm. Any Helpmates they come across are doing their jobs and no longer malfunctioning.
After a small amount of time, enough to check that all is well, their SCA's light up. All Passengers are to return to the Voidtrecker Express.
Considering the vast distances involved it is probably best that they use the evacuation function to return to the Luggage carriage.
Once all Voidtreckers have returned the train returns to the Void once more.
no subject
no subject
no subject
The toasting oven dings, and they reach over to pluck the toast out and onto their plate. There's butter and jam waiting to be spread on, but they debate actually doing it for a second, weighing the appeal of instant calories verses tastier calories. "Why did you flip out?"
no subject
“... Easier if I’m not a person getting hurt. Don’t want to hurt him, either. ... Don’t want another Reiji.”
no subject
Soldat wishes they were more awake for this conversation. The plates in the metal arm ripple slightly, clicking and buzzing, before settling. A recalibration pulse. (Thanks for trying, pal. Pretty sure you don't got a voice for your arm, buddy. Sarge, don't give it ideas. I ain't the one talking to it.)
Focus, Soldat. "I know. I. I worry about that, too. Hurting people. Are they okay?" The person who he flipped out at.
cw: abuse because Otoha's life is Terrible
He lowers his gaze, trying to think of the right words. Words aren't something he's good at. "... Can't help but wait for the other shoe to drop, with people being nice. Took... Reiji like half a year of tagging along for me to get comfortable with the idea of him around me. To not think he was going to throw things at me or burn me or use me as target practice."
His voice is even as he speaks, almost conversational. There's not really much indication that he sees anything wrong with what happened. ... It's still hard to remember that there was something wrong with that treatment, that while he had preferred it not happen he'd just... accepted that, and that thinking like that isn't okay.
no subject
"I know," they say again, after maybe a little too long. "It's hard. Trusting is hard. I still don't. I haven't told anyone here everything yet. But there are good people. Who don't do that shit." They think there might even be some here. They're getting there.
(Move.. Right. Right, thank you, Asset.) They shake themselves again and start actually spreading the butter and jam. Movement helps.
no subject
He's reasonably sure his roommates won't read something addressed to him. "There's... good people here, yeah. It's... kind of hard to know what to do around good people. Not something I'm used to."
no subject
They stick the butter knife in their mouth to lick the jam off, because they doubt Otoha will judge them for it. Then, settling back with the plate of toast, they consider the rest. (Or try to. Still not very awake.
Eat.) Eyes drifting to the lantern on the counter as they chew, they swallow and say, "Spent seventy years owned by. Really awful people. I was their assassin. Their weapon."no subject
Think before you talk. Right. "... Might sound stupid. You can take care of yourself. But I'll still keep you safe. Anyone tries that on you and they won't live to finish the next word."
no subject
The plates in the metal arm shift again, and they take another big bite of their toast to focus on the flavors. Think of folding paper while they chew, which helps even more. Enough that they can chew on the promise, too, and answer, "I. Appreciate that. Thank you. I think I've been. Free. Long enough that I wouldn't obey anymore. But." There are still the Words. Shutdowns. The goddamn chair. "Having backup is nice."
no subject
no subject
no subject
no subject
no subject
no subject
They finish off the first piece of toast and start on the second. "Sounds difficult," is what they say about it.
no subject
So, you know. Not big on conversation on his end, either.
"I don't really care that she took my memories. I'm glad I got to clean things up, but -" He holds a hand to his chest. ... He'd have lost all of those memories of Reiji. He doesn't want to forget his friend, but... that feeling of something squeezing his heart is back.
He wheels around and punches the carriage wall at full force. There's a resounding crack and the metal around them shakes for a moment before it settles. He pulls his fist back and there's no damage to the wall.
... It doesn't help. He's starting to feel like he can't breathe, and he clutches the lip of the counter desperately.
no subject
Then they approach, slow, both hands visible and flat, unthreatening. Gentle is not a thing their voice does well, but they come close: "Hey. Hey, Otoha. Can you look at me." They think they know what this is, but will their usual method of calming down work? Might be worth a try, if he'll respond.
no subject
"... Miss... him. But... don't want... to feel this... anymore." He can't cry. Not here, and he's not sure he's got any tears left in him. "If I... forget him... he's gone... but... why does thinking about him... hurt so much? He... he's dead. I... need to just get over... it..." He winces again as he feels his chest squeeze.
no subject
So what they do is pull their tablet out and extract the pieces of origami paper from the back of the protective casing. "Otoha. Look at me. I'm going to show you how I calm down. When I get like you're feeling. Okay?"
They hold out one piece of paper, dark purple in color.
no subject
Is that... huh. He takes it carefully, feeling it. ... Yeah, that's origami paper. He'll have to ask where this came from later. He doesn't respond verbally, just focuses on the paper.
no subject
no subject
no subject
Soldat leads Otoha through all the steps, slowing down even further whenever it looks like he's struggling with a fold, redoing folds if anything needs shown a second time. They don't talk much, only if Otoha seems to need a word or two to keep him on track or if he's unraveling instead of getting calmer.
And in the end, there are a pair of paper cranes. Soldat even illustrates how pulling on the tail gently makes the wings move.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)